Yank down those calendars, folks - 2025 is coming at us fast! But before the ball drops, heralding in the new year, along with January's fresh batch of Oscar contenders finally going wide, now's the perfect time to take a step back and reflect. 2024 was a strange year, which was appropriately mirrored in a lot of the movies that came out! From the ultra-violent Terrifier 3 being #1 at the box office, becoming the first unrated film to do so, to Dune Part II's suggestive popcorn bucket design - you truly could not predict where things were headed. We also said RIP to legends like Quincy Jones, Terri Garr, Tony Todd, Maggie Smith, Gena Rowlands, Shelley Duvall, Donald Sutherland, and Roger Corman, to name a few.
When you step back, you realize, there's a lifetime in a year! So my pre-Top Ten annual tradition is to honor those films that stood out from the rest of the pack. The ones that seared themselves into my brain and wouldn't let go, whether it was because of an unbelievable performance, a goosebump-inducing music score, or cinematography that you'd want to frame on your wall. I hope you enjoy my personal batch of superlatives for 2024!
Speaking of fantastic horror performances this year, another one that took me by surprise was Naomi Scott in the psychological horror sequel, Smile 2, playing a pop star whose tour is threatened by the "smile" curse. The film uses the high concept premise as a metaphor for "toxic positivity" and the invasion of privacy that celebrities undergo. While you might remember her as Jasmine from the live action Aladdin remake, THIS truly is her star-making performance. Her slow descent into madness is riveting!
BEST ACTOR - Keith Kupferer, Ghostlight
Ghostlight is a tiny little drama that doesn't really have the financial backbone to launch a major Oscar campaign, but my god does it deserve it. The film is about a grieving blue collar construction worker dealing with his unresolved feelings and difficult teenage kid (played by Kupferer's own biological daughter) by joining a community theater group production of Romeo and Juliet, totally against character. Kupferer's performance is astounding, quietly and poignantly conveying the impact of art and theater as a kind of group therapy. To see such a typical dad character transform, building his confidence, finding his "people" so late in life, and finally opening up about his emotions was so moving - it'll bring you to tears!
BEST POSTER - Saturday Night
Harkening back to 1970s comedy posters in the style of Animal House and American Graffiti, the poster for Jason Reitman's Saturday Night perfectly encapsulates the time period, chaotic mood, and mix of personalities bouncing against each other during the backstage insanity of the taping of the first episode of Saturday Night Live.
BEST MUSIC SCORE - Challengers, Trent Reznor & Atticus Ross
Besides the fact that my friend's dad stars as an extra in the background during the party scene, I'd argue the best aspect of the throuple tennis drama Challengers is its propulsive, electro-beat score by Nine Inch Nails' Trent Reznor and Atticus Ross. The score fits perfectly with the tension between the characters, fighting first for each other's romantic affection, and then against each other on the court.
Hans Zimmer is one of the best movie composers ever. Continuing his excellent work from the first film, his score for Dune Part II in particular builds up the "love" theme between Paul Atreides and Chani, and adds such grandiosity during the epic action scenes. Exotic, bombastic, romantic - listening to the score feels almost like a religious experience!
Theater kids and regular folk alike are loving Wicked, a massive box office success despite so many people claiming to "not like musicals." But there's no denying the sheer power of Broadway-style talent, and Cynthia Erivo is the real deal. Her powerhouse, emotive vocal performances during songs like "The Wizard and I" and the showstopping number "Defying Gravity" are chill-inducing.
In a case of nepotism done right, M. Night Shyamalan cast his own daughter as pop star Lady Raven in his latest thriller. Some may argue the entire film was an excuse to showcase her talents, which may be true, but if nothing else, at least her music provided a fantastic backdrop for this poorly-conceived movie!
BEST ACTION SCENE - Dune: Part Two, Riding the Worm
In 1978, Richard Donner got audiences to believe a man could fly. And in 2024, Denis Villeneuve got us to believe Timothée Chalamet could ride a sandworm. IMAX was made for moments like this.
"Bye Bye Bye" landed on my top 5 most-played songs on my Spotify Wrapped this year - thanks in part to the hilarious, nostalgic adrenaline rush of the Deadpool & Wolverine opening credits.
BEST COSTUME - Lisa's Entire Wardrobe, Lisa Frankenstein
The costume designs created for the world of Dune are impeccable, but the Bene Gesserits in particular always look so beautiful, mysterious, and dangerous.
BEST CINEMATOGRAPHY - Ripley, Robert Elswit
New Hampshire native director Robert Eggers has carved out a niche for himself in the horror world by crafting highly-authentic period pieces, whether it's old Salem in The Witch, the brutality of Viking times in The Northman, or now with his version of Nosferatu, 1800s "gothic" Germany. The cinematography here is incredible, with dark, ominous shadows, a nearly black and white palette, and lots of natural light to create one of the best horror movie "atmospheres" you'll see this year.
I don't want to give ANYTHING away here, but let's just say the titular "substance" has some bad side effects, especially if used incorrectly! The film boasts stunningly, beautifully grotesque special make-up effects that would make David Cronenberg proud.
Sebastian Stan appears unrecognizable in A Different Man, playing an aspiring actor with a facial deformity who decides to undergo an experimental medical procedure to attain his dream face. I knew going into the film that both Sebastian Stan and an actual deformed actor, Adam Pearson, were to appear in it, but at first I wasn't sure which one I was looking at - a testament to the makeup crew!
Not only is The Penguin my top show this year, it's quite possibly one of my favorite Batman-related pieces of media ever created. Colin Farrell, unrecognizable as wannabe mobster Oz Cobb, is phenomenal in the lead role. A truly epic crime saga, The Penguin is an absolute must-watch for fans of shows like Breaking Bad or The Sopranos!
BEST COMEDY SPECIAL - Anthony Jeselnik: Bones and All
I first saw Anthony Jeselnik as the host of Last Comic Standing, where he honestly was not funny at all. So eventually when I checked out his stand-up, I was like - wow, no wonder! His dark brand of comedy is not conducive to a network hosting gig. His punchlines casually subvert your expectations and lead you to laugh at the most upsetting ideas - somehow pulling out the rug from under you every time. So many bad, self-appointed "edgy" comedians try to do this kind of thing and come across as cringe-worthy, but Jeselnik's precise timing and wordplay has elevated it to a true artform in my opinion!
Hasan Minhaj got in hot water lately after it came out that he embellished supposedly "true" stories in his act - but whatever, the guy is still so sharp, quick and consistently makes intelligent commentary on current events with a certain millennial zing.
WORST MOVIE - Vindicating Trump
BEST "RETRO" DISCOVERY* - Le Trou (1960)
So that just about wraps up my year of film-watching! I hope you enjoyed my recap and perhaps inspired you to check out a movie or two. And stay tuned for my Top Ten of the year!
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